March 1998
by Jay Piriz
Eddie Vedder and the boys still perform in world-class fashion. There are few bands out there of this musical genre that are as talented and musically gifted as PJ. Vedder’s raspy, emotional, angry and effective vocal musings continue defining the character of PJ’s sound on this CD. Mike McCready’s lead guitar is as on-the-edge creative as it was back in 1991 on PJ’s debut, Ten. There are tracks on this CD that come across as, well, filler. Track 8 for example, is titled by a red dot—not the words "Red Dot," just a red dot. Visions of the artist formerly known as...dare I say? The music is an unusual blend of steel drums, bells and other percussion instruments with a repetitive chant: "we’re all crazy, we’re all crazy at war." A political statement? Maybe not. The last track, "All Those Yesterdays," one of the great tunes on this CD, appears to be over at 3:58. But then at 5:04, after over a minute of silence, returns with unrelated middle-eastern-sounding instrumental/hand-clapping music that lasts for over two minutes. The character of the recording on this CD appears to be driven more toward music that sounds good on the radio versus music that sounds good on a high-quality home audio system. The entire PJ catalog would benefit from a nice gold-edition series with improved resolution, clarity, detail and dynamics. Yield does have some tracks done in the great PJ standard. "No Way," "Wishlist," and "Pilate" are creatively involving and musically appealing. Yield, is not PJ’s best work. For a PJ fan, however, it may be worthwhile. GO BACK TO: |