| March 2007Though still in
her early 20s, Julia Fischer has become a legend in her own short lifetime. Her recordings
for PentaTone have covered a varied repertory, ranging from Bach to Prokofiev, yet all
have received critical accolades. The young German-born violinist upholds her record with
this lyrical, virtuoso recording of Tchaikovskys famous Violin Concerto in D. Her
tempos are a bit slower than usual, but they dont seem slow, as Fischer uses the
extra space to delicately phrase passages that are often glossed over. The sound of her
1750 Jean Baptitste (Giovanni Battisa) Guadagnini violin is spun gold; the second movement
of the concerto benefits from this and displays arch sentiment without becoming
sentimental. Yakov Kreizberg and his excellent orchestra are not mere accompanists but
stand as collaborators. The interplay between Fischer and solo woodwinds in the orchestra
that occur in the first and last movements is hand-in-glove perfect.
The disc is filled out with some encores that are not heard
too often, and these are played with the same care and lyricism lavished on the Concerto.
Maestro Kreizberg lays down his baton to become a very fine piano accompanist in the Souvenir.
The recorded sound is warm, rich, and full, with excellent
presence. The balance between soloist and orchestra is just right, as are the balances
within the orchestra itself. I originally lauded PentaTone for re-releasing the 1970s quad
recordings from the Philips catalog, but I now must recognize that the labels new
recordings demand just as much respect and investigation. This is as fine a recording of
the Tchaikovsky Concerto as can be had, and surely the best in the SACD format.
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